The artwork of Frederic Remington (1861–1909), best known for portraying cowboys, soldiers, and Native Americans in the Old West, is widely recognized by many art lovers. When he started doing western pictures for Harper’s Weekly and many other well-known New York publications in the middle of the 1880s, his career took off. Remington illustrations provided the eastern audience with visual material to go along with genuine and fictional descriptions of the Old West.
Frederic Remington – Burgess Finding a Ford
He received recognition and respect for his work’s correctness and attention to detail. Numerous people believed-and still believe-that he was a westerner, if not a soldier or a cowboy in his own right. In actuality, he was an Easterner who shared his audience’s fascination with the themes he painted.
Sculptor Remington frequently traveled to the West. He cherished the notion of the frontier and had the utmost respect for the tough and valiant cowboys and soldiers he encountered there. As a journalist and illustrator, he was delighted to get to know them, learn about their lives, and follow them on his travels.
Among other considerations, Remington adored them for being unfazed by the multiple facets of life in the frontier region, including the sparse “grub,” protracted horseback rides, and lengthy intervals between bathing. But, interestingly, the artist himself couldn’t bear it much.
Frederic Remington, the cowboy artist, gathered an enormous amount of stuff on these journeys to utilize as props in his New Rochelle, New York workshop to produce impressively detailed drawings, paintings, and bronzes. Then, using a camera, he created his images for note-taking rather than as works of art.
He purchased many readily accessible western landscapes and Native American portraits. He kept sketchbooks with him and drew everything, from far-off vistas to the details of the creases on leather boots.
He produced photographs of soldiers, cowboys, and Indians for the renowned magazines of the 1880s and 1890s, influencing how the rest of the world saw the American West. Over 3,000 of his paintings and sketches are autographed. Although many of Remington Western paintings were created as works of art when he turned his back on the publishing industry, most of them were illustrations.
He started creating sculptures in 1895 with The Bronco Buster, which is maybe what he is best known for today. Before passing away suddenly at the age of 48, he produced 22 distinct bronze sculptures. His paintings took on more complex aesthetic aims as he moved towards impressionism.
Frederic Remington – The Bronco Buster I
Remington gained notoriety as an artist for most of the widely read publications of the late 1880s and 1890s, specializing in western and military themes. Harper’s Monthly, Harper’s Weekly, Century, Outing, Collier’s, Cosmopolitan, and Boys’ Life were among the publications he illustrated. However, he continues to be most intimately linked to images of the Old West.
He used black and white mediums, such as ink wash and gouache, pen and ink, and black and white oil to create most artwork for publication in books and periodicals. Additionally, as part of his magazine work, Frederic Remington undertook self-delegated reporting assignments that resulted in a number of pieces that he both wrote and drew.
Remington was not afraid of writing. He specialized in Western high adventure stories. In addition, he authored novels and books, including collections of his magazine pieces, totaling eight volumes.
Remington started creating sculptures in 1895 and created 22 distinct topics. He made clay sculptures. At art foundries, his clay models were cast in bronze. The Henry-Bonnard Co. used the sand casting technique to cast his first four subjects. He started working entirely with the lost wax casting company Roman Bronze Works in New York in 1898.
Icons of the West: A History lists authentic bronze casts and information about their locations. The Frederic Remington Art Museum released Michael D. Greenbaum’s book, Frederic Remington’s Sculpture, in 1996. The book was about the lost-wax bronze cast at Roman Bronze Works in New York. The sequence of the bronzes reflects their copyright.
Frederic Remington’s art features are attributed to the lost wax and sand casting techniques used to create these sculptures at Roman Bronze Works in New York.
Frederic Remington Paintings
Frederic Remington created more than 3,000 flat works. View the Raisonne Catalog of Frederic Remington to some of the most famous Frederic Remington paintings and learn more about Remington as an artist.
Remington frequently traveled to the West to report for periodicals, gather photos, create drawings, and purchase props for his studio. This is precisely what made it possible for him to produce brief details and find inspiration every day in the convenience of his studio.
Value of Remington’s art
The Briscoe Western Art Museum in San Antonio is now featuring an exhibition of their art. In addition, several important museums and galleries, including the Denver Art Museum, have previously displayed Frederic Remington’s paintings.
Various works by Remington have fetched different values on auction; some have realized a paltry 15 dollars while others went for a whopping 11,223,500 dollars; the artworks’ medium and size impacted the value. Since 1998, Coming through the Rye, sold at Christie’s New York in 2017, set an all-time high price for the artist at auction of 11,223,500 dollars.
In the “Golden Age” of the artist’s impression at the end of the 19th and beginning of the 20th centuries, Remington was the most prominent Western illustrator. As a result, other Western artists like Charles Schreyvogel and Charles Russell became known as “School of Remington” members during Remington’s lifetime.
His realistic, occasionally impressionistic, and frequently deviant manner contrasts the ethnographic naturalism of older Western artists like George Catlin. Remington exalted the vastness of the West and nature’s superiority over man, and his emphasis was staunchly on the animals and people of the West; the landscape was typical of secondary importance.